I know I talked my head off (get it?) in PODSHOCK #327 about how much I love THE BRAIN OF MORBIUS, but I'm not through yet. If you're already sick of me talking about it, and why wouldn't you be, really? Then move along -- nothing to see here ...
... Still with me? Oh, good.
I mentioned on #327 how much I appreciated the screenwriting touch, the elegant pathos of having Condo's arm sacrificed to Solon's master work ... and of Condo then seeing the arm and recognising it. I realized later that this is only part of a larger virtue of this script. Where BRAIN OF MORBIUS excels, I think, is in putting sympathetic characters in credible danger. And maybe nowhere is this more striking than in the plot element of Sarah Jane's temporary blindness.